Marco Bonaccolto ENG
GuestRoomMaribor2013
Marco Bonaccolto (IT)
Minimalistic intervention in location with lights in street window fronts, which have previously been empty for a longer period, representing space of deceleration, lethargy, with layers of dust and dirt was Marco Bonaccolto’s discreet reaction on the mood of the old town center and Gosposka (Nobel) street. In the past this street has been, as it name implies luxurious, center of authority and wealth; however in the last fifteen years it offers in a persistent and always longer intervals, broken, neglected premises that radiate an atmosphere of recurring sameness. In the time of artist’s exploration of the city as artistic scene the street was a part of numerous initiatives for its “revival”. In the past there was a range of artistic to cultural-civil motions. Initiative for citywide assembly cleared the window fronts of the stores and invited active cultural workers to use the window fronts as an exhibition-promotional space. In already decorated window sets Bonaccolto added co-responsive light installation. Interaction of lights and passengers was activated by a sensor for detecting the movement on the street.
Exposure to strong light is an old method of control (authority) and the stage (culture). The method is based on a sense of sight which represents the core of Western culture. The artist’s gesture of entering into a series of variations on the theme of “lights” when the latter is at the same time, the conceptual and material core of the artwork. However the artist’s light index finger is still reserved and inconspicuous. A passerby notices the gesture and recognizes the critical appeal or just sees the light in its function to expose the distributed objects in the windows. The artist does not offer an explanation. The meaning and value of his gesture is an active participation in surrounding social happenings and support to townspeople activities.
Text: Petra Kapš
Exposure to strong light is an old method of control (authority) and the stage (culture). The method is based on a sense of sight which represents the core of Western culture. The artist’s gesture of entering into a series of variations on the theme of “lights” when the latter is at the same time, the conceptual and material core of the artwork. However the artist’s light index finger is still reserved and inconspicuous. A passerby notices the gesture and recognizes the critical appeal or just sees the light in its function to expose the distributed objects in the windows. The artist does not offer an explanation. The meaning and value of his gesture is an active participation in surrounding social happenings and support to townspeople activities.
Text: Petra Kapš